回 |
年度 |
賞 |
受賞者 |
論文タイトル |
46 |
2023 |
佳作 |
西田侑記 |
『女王たちの仮面劇』における王妃の身体と王権の神話化 |
45 |
2022 |
- |
- |
該当論文なし |
44 |
2021 |
- |
- |
該当論文なし |
43 |
2020 |
- |
- |
該当論文なし |
42 |
2019 |
受賞 |
阿部幸大 |
“The Ad Hoc Adventure”: Pynchon’s Ecological Nationalism in Gravity’s Rainbow |
41 |
2018 |
- |
- |
該当論文なし |
40 |
2017 |
- |
- |
該当論文なし |
39 |
2016 |
受賞 |
中村仁紀 |
Godwinian Duty and the Positive Notion of Liberty in Coleridge’s Political Thought in Lectures 1795, The Watchman, and Church and State |
38 |
2015 |
佳作 |
菊池かおり |
A Conjunction of Architecture and the Writing of Virginia Woolf: Sexuality and Creativity in Orlando |
37 |
2014 |
- |
- |
該当論文なし |
36 |
2013 |
- |
- |
該当論文なし |
35 |
2012 |
- |
- |
該当論文なし |
34 |
2011 |
佳作 |
塚田雄一 |
The Caesarean-Born Political Child of King James VI and I: A New Interpretation of Macbeth’s Two Prophecies |
33 |
2010 |
- |
- |
該当論文なし |
32 |
2009 |
- |
- |
該当論文なし |
31 |
2008 |
受賞 |
大貫隆史 |
ゆがめられる記憶、幻視される過去 -- David Hare, Plentyとブレヒト的あるいは残滓的<経験>の問題 |
30 |
2007 |
受賞 |
唐澤一友 |
The Structure of the Menologium and Its Computistical Background |
佳作 |
堀 智弘 |
The Melodramatic Imagination and the Colonial Event: Transatlantic Interculturation in M. G. Lewis's Journal of a West India Proprietor |
佳作 |
小林久美子 |
"Life is ...": Nathanael West's Anti-symbolism in Miss Lonelyhearts |
29 |
2006 |
佳作 |
板倉厳一郎 |
A 'Happy Multicultural Land' in Periodontal Terms: Zadie Smith's White Teeth |
佳作 |
源中由記 |
Race and Aesthetics in William Faulkner's Light in August: From Racial Politics in the Civil War to Formalist Aesthetics in the Cold War |
28 |
2005 |
佳作 |
中島 渉 |
Jonathan Swift's Ideal Nation in His Unpublished Political Tracts, 1713-15 |
佳作 |
池田寛子 |
Crazy Jane Revises the Story of Ireland : W. B. Yeats's View of Irish Nationalism after Independence |
27 |
2004 |
佳作 |
武田将明 |
“These Men against Arbitrary Power Are the Most Absolute in Their Families”: Patriarchal Challenge to Daniel Defoe |
佳作 |
園田暁子 |
Coleridge and the Sense of Literary Property |
26 |
2003 |
- |
- |
該当論文なし |
25 |
2002 |
佳作 |
堀田隆一 |
The Spread of the s-Plural in Early Middle English: Its Origin and Development |
24 |
2001 |
受賞 |
佐藤光 |
The Devil's Progress: Blake, Bunyan, and The Marriage of Heaven and Hell |
佳作 |
高橋路子 |
The Venture of "Or/and (and/or) and/or": Virginia Woolf's Androgyny Beyond Genres, Genders and Language |
23 |
2000 |
佳作 |
中山徹 |
騒音の芸術? Ulysses、未来派、ファシズム |
22 |
1999 |
受賞 |
石割隆喜 |
Anti-Oedipa: Masochism, Self-Portrait, and The Crying of Lot 49 |
佳作 |
寺西雅之 |
A Stylistic Analysis of Middlemarch: Polyphony in the Context of 'Pre-Modernism' |
21 |
1998 |
佳作 |
吉川朗子 |
Topography as Epitaph or Epitaph as Topography: Wordsworth's Excursion |
20 |
1997 |
受賞 |
田子内健介 |
On Some General Characteristics of Prenominal Relative Clauses |
佳作 |
兼武道子 |
The Speaker and the Reader in Keats's Odes |
19 |
1996 |
受賞 |
石塚久郎 |
Thel's "Complaint": A Medical Reading of Blake's The Book of Thel |
受賞 |
原田範行 |
Regeneration from Vanity: Johnson's Satiric Mode in The Vanity of Human Wishes |
18 |
1995 |
佳作 |
吉岡ちはる |
It takes Two to Make a Daughter's Story: The Double Bind Structure of To the Lighthouse |
佳作 |
浦 啓之 |
On the Structure of "Double Objects" and Certain Differences between British and American English |
佳作 |
新井英永 |
The Invisible Core of Resistance: The Anti-aesthetic and Anti-organic Tendency in Aaron's Rod |
17 |
1994 |
- |
- |
該当論文なし |
16 |
1993 |
受賞 |
竹内康浩 |
Poe解読: 穴と反転 |
佳作 |
阿部公彦 |
Is It Really the Bird That Said, Go, Go, Go?: Circulation of Desire in Four Quartets |
佳作 |
竹谷悦子 |
Re-Narrativization of the Maypole Incident: Hawthorne and his New England Annalists |
佳作 |
野田 学 |
Theatrical Presence and the Discourse of Videocentrism from Addison to Lamb |
15 |
1992 |
受賞 |
河合祥一郎 |
Disguise in Shakespeare/ Shakespeare in Disguise |
佳作 |
小寺里砂 |
Our Mutual Friend: Dickens's Unreal City |
佳作 |
田林 葉 |
Philip Roth and Therapeutic Narratives: A Reading of The Facts and Patrimony |
佳作 |
佐藤明子 |
The Unique Diction in the West Saxon Gospel according to Saint John |
14 |
1991 |
受賞 |
三馬志伸 |
Marianne, Mary, and Jane Austen: A View of Sense and Sensibility |
13 |
1990 |
佳作 |
道木一弘 |
Doubling Dublin: Joyce's Discovery of the Language System through Repetition in Doubliners |
佳作 |
上岡伸雄 |
Engulfed in the Ecstatic Vertigo: A Study of Quentin's Section in The Sound and the Fury |
12 |
1989 |
佳作 |
斎藤兆史 |
The Light of Mediation: A Stylistic Approach to Woolf's Narrative Technique in To the Lighthouse |
11 |
1988 |
受賞 |
藤田耕司 |
On Deriving the Subjacency Effects from the ECP |
受賞 |
宮本陽一郎 |
Gravity's Rainbow and Question of Postmodernism |
10 |
1987 |
佳作 |
本橋哲也 |
'Banish Plump Jack, and Banish All the World': Comedy and Ambiguity |
佳作 |
大嶋 浩 |
Romolaに付与された二つのMadonna像の意味するものについて |
9 |
1986 |
受賞 |
加藤幹郎 |
Ulyssesの謎--第15挿話"Circe"を中心に |
佳作 |
小野良子 |
MarstonのTragic Satire -- Antonio's Revengeにおける<revenger>考察 |
8 |
1985 |
受賞 |
島 弘之 |
Yeats's Janus-Faced Sincerity in Last Poems |
受賞 |
丹治 愛 |
The Siren's Episode in Ulysses: Words Enchanted by Music |
佳作 |
広瀬雅弘 |
動揺するsense: What hath been cannot be -- All's Well That Ends Well試論? |
7 |
1984 |
受賞 |
巽 孝之 |
作品主権をめぐる暴力 -- The Narrative of Arthur Gordon Pym論 |
佳作 |
松井みどり |
The Tactics of Difference: Notes Toward the Definition of T. S. Eliot's Intentional Metaphor |
佳作 |
寺澤 盾 |
The Function of The Passive in Old English and Present-Day English |
6 |
1983 |
受賞 |
吉岡文夫 |
A Passage to "New Heaven, New Earth": A Study of Identity in Antony and Cleopatra |
佳作 |
鷲津浩子 |
Re-Building a House: An Approach to The House of the Seven Gables |
5 |
1982 |
受賞 |
小倉美知子 |
OE "a Hwile("e) and Its Equivalents |
受賞 |
坪本篤朗 |
名詞性と島の制約 -- 補文化辞の意味と統語的 |
佳作 |
天野政千代 |
前置詞残留について |
佳作 |
岩澤勝彦 |
英語における叙述文と提示文について |
4 |
1981 |
受賞 |
山田由美子 |
Volpone and The Devil is an Ass: Damnation and Salvation through Metamorphoses |
受賞 |
松下知紀 |
音韻変化における多様性と一般性 -- 開音節長音化と音調長母音の文化 |
佳作 |
菊池清明 |
Sir Gawain and the Green Knightにおける二人称代名詞YEとTHOUの交代移行について |
3 |
1980 |
受賞 |
浜名恵美 |
A Stylistic Approach to the Use of Time-Mixing in Shakespeare's Venus and Adonis |
佳作 |
平井雅子 |
No More Hamlet? -- Gerald Crichの死をめぐって |
佳作 |
松下知紀 |
中英語における開音節長音化 |
2 |
1979 |
受賞 |
蒲池美鶴 |
The Function of the Masque in The Duchess of Malfi |
佳作 |
今泉容子 |
The Speaker in The Prelude |
1 |
1978 |
受賞 |
鈴木俊次 |
D. H. Lawrenceの「海」:初期と後期の詩に探る |
受賞 |
仙葉 豊 |
DefoeにおけるFictionの始まりと終り |
受賞 |
佐藤良明 |
文化を脱ぐ事、着更える事 -- 現代アメリカ対抗文化文学論 |
受賞 |
水光雅則 |
A Phonological Analysis of Wanna Formation |
佳作 |
野沢秀実 |
On Comparative Ellipsis |