| 回 | 年度 | 賞 | 名前 | 論文タイトル |
|---|---|---|---|---|
| 42 | 2019 | 受賞 | 阿部幸大 | “The Ad Hoc Adventure”: Pynchon’s Ecological Nationalism in Gravity’s Rainbow |
| 41 | 2018 | - | - | 該当論文なし |
| 40 | 2017 | - | - | 該当論文なし |
| 39 | 2016 | 受賞 | 中村仁紀 | Godwinian Duty and the Positive Notion of Liberty in Coleridge’s Political Thought in Lectures 1795, The Watchman, and Church and State |
| 38 | 2015 | 佳作 | 菊池かおり | A Conjunction of Architecture and the Writing of Virginia Woolf: Sexuality and Creativity in Orlando |
| 37 | 2014 | - | - | 該当論文なし |
| 36 | 2013 | - | - | 該当論文なし |
| 35 | 2012 | - | - | 該当論文なし |
| 34 | 2011 | 佳作 | 塚田雄一 | The Caesarean-Born Political Child of King James VI and I: A New Interpretation of Macbeth’s Two Prophecies |
| 33 | 2010 | - | - | 該当論文なし |
| 32 | 2009 | - | - | 該当論文なし |
| 31 | 2008 | 受賞 | 大貫隆史 | ゆがめられる記憶、幻視される過去 -- David Hare, Plentyとブレヒト的あるいは残滓的＜経験＞の問題 |
| 30 | 2007 | 受賞 | 唐澤一友 | The Structure of the Menologium and Its Computistical Background |
| 佳作 | 堀 智弘 | The Melodramatic Imagination and the Colonial Event: Transatlantic Interculturation in M. G. Lewis's Journal of a West India Proprietor | ||
| 佳作 | 小林久美子 | "Life is ...": Nathanael West's Anti-symbolism in Miss Lonelyhearts | ||
| 29 | 2006 | 佳作 | 板倉厳一郎 | A 'Happy Multicultural Land' in Periodontal Terms: Zadie Smith's White Teeth |
| 佳作 | 源中由記 | Race and Aesthetics in William Faulkner's Light in August: From Racial Politics in the Civil War to Formalist Aesthetics in the Cold War | ||
| 28 | 2005 | 佳作 | 中島 渉 | Jonathan Swift's Ideal Nation in His Unpublished Political Tracts, 1713-15 |
| 佳作 | 池田寛子 | Crazy Jane Revises the Story of Ireland : W. B. Yeats's View of Irish Nationalism after Independence | ||
| 27 | 2004 | 佳作 | 武田将明 | “These Men against Arbitrary Power Are the Most Absolute in Their Families”: Patriarchal Challenge to Daniel Defoe |
| 佳作 | 園田暁子 | Coleridge and the Sense of Literary Property | ||
| 26 | 2003 | - | - | 該当論文なし |
| 25 | 2002 | 佳作 | 堀田隆一 | The Spread of the s-Plural in Early Middle English: Its Origin and Development |
| 24 | 2001 | 受賞 | 佐藤光 | The Devil's Progress: Blake, Bunyan, and The Marriage of Heaven and Hell |
| 佳作 | 高橋路子 | The Venture of "Or/and (and/or) and/or": Virginia Woolf's Androgyny Beyond Genres, Genders and Language | ||
| 23 | 2000 | 佳作 | 中山徹 | 騒音の芸術？ Ulysses、未来派、ファシズム |
| 22 | 1999 | 受賞 | 石割隆喜 | Anti-Oedipa: Masochism, Self-Portrait, and The Crying of Lot 49 |
| 佳作 | 寺西雅之 | A Stylistic Analysis of Middlemarch: Polyphony in the Context of 'Pre-Modernism' | ||
| 21 | 1998 | 佳作 | 吉川朗子 | Topography as Epitaph or Epitaph as Topography: Wordsworth's Excursion |
| 20 | 1997 | 受賞 | 田子内健介 | On Some General Characteristics of Prenominal Relative Clauses |
| 佳作 | 兼武道子 | The Speaker and the Reader in Keats's Odes | ||
| 19 | 1996 | 受賞 | 石塚久郎 | Thel's "Complaint": A Medical Reading of Blake's The Book of Thel |
| 受賞 | 原田範行 | Regeneration from Vanity: Johnson's Satiric Mode in The Vanity of Human Wishes | ||
| 18 | 1995 | 佳作 | 吉岡ちはる | It takes Two to Make a Daughter's Story: The Double Bind Structure of To the Lighthouse |
| 佳作 | 浦 啓之 | On the Structure of "Double Objects" and Certain Differences between British and American English | ||
| 佳作 | 新井英永 | The Invisible Core of Resistance: The Anti-aesthetic and Anti-organic Tendency in Aaron's Rod | ||
| 17 | 1994 | - | - | 該当論文なし |
| 16 | 1993 | 受賞 | 竹内康浩 | Poe解読: 穴と反転 |
| 佳作 | 阿部公彦 | Is It Really the Bird That Said, Go, Go, Go?: Circulation of Desire in Four Quartets | ||
| 佳作 | 竹谷悦子 | Re-Narrativization of the Maypole Incident: Hawthorne and his New England Annalists | ||
| 佳作 | 野田 学 | Theatrical Presence and the Discourse of Videocentrism from Addison to Lamb | ||
| 15 | 1992 | 受賞 | 河合祥一郎 | Disguise in Shakespeare/ Shakespeare in Disguise |
| 佳作 | 小寺里砂 | Our Mutual Friend: Dickens's Unreal City | ||
| 佳作 | 田林 葉 | Philip Roth and Therapeutic Narratives: A Reading of The Facts and Patrimony | ||
| 佳作 | 佐藤明子 | The Unique Diction in the West Saxon Gospel according to Saint John | ||
| 14 | 1991 | 受賞 | 三馬志伸 | Marianne, Mary, and Jane Austen: A View of Sense and Sensibility |
| 13 | 1990 | 佳作 | 道木一弘 | Doubling Dublin: Joyce's Discovery of the Language System through Repetition in Doubliners |
| 佳作 | 上岡伸雄 | Engulfed in the Ecstatic Vertigo: A Study of Quentin's Section in The Sound and the Fury | ||
| 12 | 1989 | 佳作 | 斎藤兆史 | The Light of Mediation: A Stylistic Approach to Woolf's Narrative Technique in To the Lighthouse |
| 11 | 1988 | 受賞 | 藤田耕司 | On Deriving the Subjacency Effects from the ECP |
| 受賞 | 宮本陽一郎 | Gravity's Rainbow and Question of Postmodernism | ||
| 10 | 1987 | 佳作 | 本橋哲也 | 'Banish Plump Jack, and Banish All the World': Comedy and Ambiguity |
| 佳作 | 大嶋 浩 | Romolaに付与された二つのMadonna像の意味するものについて | ||
| 9 | 1986 | 受賞 | 加藤幹郎 | Ulyssesの謎--第15挿話"Circe"を中心に |
| 佳作 | 小野良子 | MarstonのTragic Satire -- Antonio's Revengeにおける<revenger>考察 | ||
| 8 | 1985 | 受賞 | 島 弘之 | Yeats's Janus-Faced Sincerity in Last Poems |
| 受賞 | 丹治 愛 | The Siren's Episode in Ulysses: Words Enchanted by Music | ||
| 佳作 | 広瀬雅弘 | 動揺するsense: What hath been cannot be -- All's Well That Ends Well試論？ | ||
| 7 | 1984 | 受賞 | 巽 孝之 | 作品主権をめぐる暴力 -- The Narrative of Arthur Gordon Pym論 |
| 佳作 | 松井みどり | The Tactics of Difference: Notes Toward the Definition of T. S. Eliot's Intentional Metaphor | ||
| 佳作 | 寺澤 盾 | The Function of The Passive in Old English and Present-Day English | ||
| 6 | 1983 | 受賞 | 吉岡文夫 | A Passage to "New Heaven, New Earth": A Study of Identity in Antony and Cleopatra |
| 佳作 | 鷲津浩子 | Re-Building a House: An Approach to The House of the Seven Gables | ||
| 5 | 1982 | 受賞 | 小倉美知子 | OE "a Hwile("e) and Its Equivalents |
| 受賞 | 坪本篤朗 | 名詞性と島の制約 -- 補文化辞の意味と統語的 | ||
| 佳作 | 天野政千代 | 前置詞残留について | ||
| 佳作 | 岩澤勝彦 | 英語における叙述文と提示文について | ||
| 4 | 1981 | 受賞 | 山田由美子 | Volpone and The Devil is an Ass: Damnation and Salvation through Metamorphoses |
| 受賞 | 松下知紀 | 音韻変化における多様性と一般性 -- 開音節長音化と音調長母音の文化 | ||
| 佳作 | 菊池清明 | Sir Gawain and the Green Knightにおける二人称代名詞YEとTHOUの交代移行について | ||
| 3 | 1980 | 受賞 | 浜名恵美 | A Stylistic Approach to the Use of Time-Mixing in Shakespeare's Venus and Adonis |
| 佳作 | 平井雅子 | No More Hamlet? -- Gerald Crichの死をめぐって | ||
| 佳作 | 松下知紀 | 中英語における開音節長音化 | ||
| 2 | 1979 | 受賞 | 蒲池美鶴 | The Function of the Masque in The Duchess of Malfi |
| 佳作 | 今泉容子 | The Speaker in The Prelude | ||
| 1 | 1978 | 受賞 | 鈴木俊次 | D. H. Lawrenceの「海」:初期と後期の詩に探る |
| 受賞 | 仙葉 豊 | DefoeにおけるFictionの始まりと終り | ||
| 受賞 | 佐藤良明 | 文化を脱ぐ事、着更える事 -- 現代アメリカ対抗文化文学論 | ||
| 受賞 | 水光雅則 | A Phonological Analysis of Wanna Formation | ||
| 佳作 | 野沢秀実 | On Comparative Ellipsis |