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EHarue Shiraishi@Creative Agony: A Critical History of P. B. Shelleyfs The Triumph of Life@@

E¼‰Y@˜aG@ƒƒXƒgƒ{[ƒ‹‚ƃhƒ‰ƒCƒo[:gWinter Dreamsh‚ÆThe Great Gatsby‚̘A‘±«@

EŽR핁@—»Žq@Œê‚ç‚ê‚È‚©‚Á‚½•¨Œê|wƒtƒ‰ƒ“ƒPƒ“ƒVƒ…ƒ^ƒCƒ“x‚́u’a¶v‚ƁuŠ´õ‚·‚é•av@

EHiroaki Emoto @Two Types of Ellipsis: A Phase-Based Approach@

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EOKOCHI Sho @Law and Morality in the Sentimental Novel @

E‘š’¹@Œc–M@ÅŒã‚̃gƒ~[A‚·‚ׂẴgƒ~[\Harry Patch, The Last Fighting Tommy‚Æ‘æˆêŽŸ¢ŠE‘åí‚Ì‹L‰¯@

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Eì’[@N—Y@ƒŠƒ”ƒ@ƒCƒAƒTƒ“‚ɍR‚Á‚ā\\ƒI[ƒEƒFƒ‹AƒEƒBƒŠƒAƒ€ƒYAPolitics and Letters (1947-48)
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EŽá—с@–ƒŠóŽq@ƒXƒUƒiEƒ[ƒ\ƒ“wƒeƒ“ƒvƒ‹x“ñ•”ì‚É‚¨‚¯‚鏗«—̈æ\\V‚½‚Ȃ鏗«ŒoŒ±‚Ì’n•½‚ð‚ß‚´‚µ‚Ä
(WAKABAYASHI Makiko@Womenfs Sphere in Rowsonfs Charlotte Temple and Lucy Temple\An Exploration of Womenfs Experiences in the Republic)

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Eƒm–؁@—²biKonoki, Takaomij@Robert Penn Warren, Eleven Poems on the Same Theme ‚É‚¨‚¯‚é”FŽ¯‚Ì•Ï‘J‚ɂ‚¢‚Ä \ŒÂlAŽÐ‰ïA‚Ó‚½‚½‚ьl‚ց\

E‰Á“¡@zŽO(Kato, Kozo) E•ò@ç鋞(Bong, Hyun Kyung)@ƒJƒ‰‚É‚È‚ç‚È‚¢from, from‚É‚È‚ç‚È‚¢ƒJƒ‰

E‰Ô핁@”ü‹I(Hanazaki, Miki) E‰Ô핁@ˆê•v(Hanazaki, Kazuo)@Onomasiological‚ÈŠÏ“_‚©‚ç‚Ì‘O’uŽŒFor‚̈Ӗ¡˜_

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EÔŠâ@—²@(Akaiwa, Takashi)@‹´–{ꠋéE’̐³s•Ò’˜wŒ»‘ãƒCƒ“ƒh‰pŒê¬à‚̐¢ŠEx“Œ‹žF–P‘–[, 2011”N. 359 pp.

E–ö‘ò@G˜Y@(Yanagisawa, Hideo)@Robert Azzarello, Queer Environmentality: Ecology, Evolution, and Sexuality in American Literature. Burlington: Ashgate Publishing Company, 2012. viii + 159 pp.

E‹v•Ä@—S‰î@(Kume, Yusuke)@Ian Roberts, Diachronic Syntax. Oxford: Oxford University Press, 2007. xiii + 508pp.

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E”nŸº@Œb—¢@Name Manipulation as Encoding: Narrative Strategy of Villette
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EœA“‡@KŽq@A Reading of the gAnachronistich Museum in The Age of Innocence

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EŒä—`@“N–ç@u¸“ǁv‚Ì‚Þ‚¸‚©‚µ‚³ James Naremore, The World Without a Self: Virginia Woolf and the Novel. New Haven: Yale University Press, 1973. x + 259pp.

E—с@ˆÈ’m˜Y@ŠC—m–`Œ¯•¨Œê‚Ì•œŒ \\‚à‚¤‚ЂƂ‚̏¬à‹NŒ¹˜_ Margaret Cohen, The Novel and the Sea. Princeton University Press, 2010. 306pp.

E’JŒû@ˆê”ü@g‘̉»‚³‚ꂽSFƒCƒ[ƒWEƒXƒL[ƒ}‚ÌŒ´“_ Mark Johnson, The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason. University of Chicago Press, 1987. xxxviii +. 233pp.

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E’|ŽR@—FŽq@(TAKEYAMA Tomoko)@ƒƒAƒŠ[EƒVƒhƒj[–óPsalmes ‚É‚¨‚¯‚éß‚Ə—«\Psalm 58‚ÆPsalm 82‚̍lŽ@‚æ‚è\@

EŽ™‹Ê@•x”üœ¨@(KODMA Fumie)@Keats‚É‚¨‚¯‚éKing Lear‚ÆNegative Capability\The bitter-sweet of this Shakespearian fruith‚ɂ‚¢‚Ä‚Ì’T‹\@

E“c‘½—ǁ@rŽ÷@(TATARA Toshiki)@uƒxƒ‹ƒtƒ@ƒXƒg‚Ì‘¡‚蕨vA‚ ‚é‚¢‚Í‘å‹Qé[Œã‚̃AƒCƒ‹ƒ‰ƒ“ƒh‚É‚¨‚¯‚éu–‚—v\u“yv‚̐­Ž¡«‚ðÄl‚·‚é@

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w‹ãB‰p•¶ŠwŒ¤‹†x‘æ29†

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ESaori Tsuji @A Bibliographical Study of R. Pynsonfs Reynard the Fox (1494 and c. 1500 -1506): Textual Editing and Derivation@

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E‰JX@–¢—ˆ@­Ž¡‚Æ‚µ‚Ä‚Ì–‚pA‚ ‚é‚¢‚Í–‚p‚Æ‚µ‚Ă̐­Ž¡\\Prospero‚É‚æ‚錶‘z‚ÆŒ»ŽÀ‚Ì‘nì\\@

Eà_@“ށXŒb@Daniel Deronda‚É‚¨‚¯‚郆ƒ_ƒ„l‚Æ‚Ì‹¤¶\\Œ‹––‚É‚¨‚¯‚é—·—§‚¿‚ɂ‚¢‚ā\\@

ETakako Takamoto @Does the Medical Report Have the Final Say?: Ian McEwanfs Enduring Love @

ENoriko Sunagawa @Joan of Arc in Late 19th Century America: Womenfs Voices, Womenfs Bodies, and the Spiritual Dimension in The Bostonians@

EHiromi Okaura gItfs just like shutting a door and locking it on a house on fireh: Implied Homosexuality and the Representation of the Southern Plantation in Cat on a Hot Tin Roof@

EAllan Bouarib gA Human Life Won and a Synthetic Media Image Wreckedh: Media, Communication, and Alienation in Philip K. DickfsgChains of Air, Web of Aetherh

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